In honor of Brain Tumor Awareness Month, I’d like to share the story behind a bracelet I made last year.

brain cancer awareness jewelry

Brain Tumor Awareness cuff with grey chainmaille and black leather by Rebeca Mojica.

Though simple in style, this is one of the most profound pieces I’ve ever made. A lot of emotion went into this piece. I pushed myself to try techniques that I’d never done before, which is always exciting for an artist (and also nerve-wracking when you feel your technique exploration has to have “perfect” results because the piece is going to a customer)!

Kayla was only 18 when she was diagnosed with a brain tumor.

Kayla was only 18 when she was diagnosed with a brain tumor.

A little background: A dear friend of mine’s daughter was diagnosed with brain cancer a couple years ago. She fought back but less than a year later, in the spring of 2014, she was again battling and things weren’t looking good. My friend’s wife contacted me and asked if I could make a piece of awareness jewelry for him. “I looked online and everything is either really feminine, or really generic and cheap-looking.” she wrote. I was flooded with emotion. I was honored to have been asked to make something this special. I was sad it needed to be made in the first place. I was freaking out about what I could possibly make, as I never remembered seeing him wear jewelry. I knew his daughter, Kayla, was the light of his life, and I wanted to create something beautiful and special.

First things first. I went online to research. Initial searches confirmed my friend’s opinion that most awareness jewelry is indeed feminine or cheap-looking. I felt even more pressure to create something “cool.” I learned the official Brain Cancer Awareness ribbon is grey, so I figured I’d start by trying to create a ribbon out of maille. I used Blue Buddha’s L18 anodized aluminum rings in iridescent gunmetal and made a strip of Half-Persian 4-in-1.

brain tumor awareness grey ribbon

Half Persian 4-in-1 (Flat Persian) with anodized aluminum jump rings in size L18.
L18 = 18 SWG (1.2 mm) 1/4″ (6.4 mm)


OK, so now I had a fluid piece of maille … but what was I going to do with it? My friend’s wife had mentioned leather as a possible bracelet option, which made a lot of sense to me. He was, after all, a rocker dude. I loved the idea of incorporating leather, but the last time I did anything more than punch holes in leather was back in 1988 at summer camp. I was gonna need some help.

I reached out to Sara McIntosh of the Chicago School of Shoemaking for advice and she invited me in to her studio for a private session to collaborate and make something.  Below are a few highlights of what we did. I have to say, Sara was super patient and put up with me freaking out every time we were about to move to a new stage in the process, because I was worried I’d mess something up. (I’m a chainmailler; perfectionism is in my blood!) It was great to work with her, and I highly recommend taking a class at her studio.

First, Sara cut out a rectangular piece of leather roughly the size we wanted the cuff to be. I believe Sara did some stuff with the leather at this point to make it smooth, but I don’t remember the technical terms for any of this. *cough*  I took the rectangle and punched holes in the ends and added snaps. This was somewhat familiar to me because of the rivets I add to leather for my chainmaille belts.

jewelry making hammering holes in leather

I’m much more at home with pliers in my hands, but I gotta say, hammering is pretty cathartic.

After confirming the size was right,  I laid the chainmaille on a piece of paper and arranged it to look like an awareness ribbon.  I traced an outline around the piece. Then I positioned the paper on the leather strip and used a pounce wheel to create indents along the center of my outline. This was nervewracking – I wanted the piece to be perfectly centered!


My first time using a pounce wheel tool.

This is what it looked like when I removed the paper:


Indent created by pounce wheel.

Sara then used a sewing machine to create holes that went all the way through the leather – one hole for each indent.

Sara of The Chicago School of Shoemaking working on a leather cuff.

Sara reinforcing the holes made by the pounce wheel.

Then came the most time-consuming part. I painstakingly sewed the chainmaille onto the leather cuff. I normally hate sewing so I avoid doing it. This time, though, I felt calm and zen. It was gratifying to see the needle come up in the right spot, slowly, step by step, anchoring the maille down. Sara told me there was no rush and I should take my time, and I do think relaxing made this whole process better. At one point, I stopped, took it apart and started again (because the maille had crunched up in an odd way). The second time went much better.
sewing metal onto leather cuff

The final step – carefully sewing the chainmaille to the leather.

And voila, the finished piece! The bottom left of the ribbon is a bit crooked, but even as I was sewing and noticed it, I liked that it was ever-so-slightly askew. I felt like it really made it look handmade so I decided to keep it.
Brain Tumor Awareness cuff with grey chainmaille and black leather.

The finished piece – an edgy, rocker-style awareness cuff.

I thanked Sara for all her help, gathered all my stuff and biked home. It was a beautiful June day, and I cried on the way. I knew what this bracelet symbolized. I was so thankful to have been given the opportunity to make this cuff—and I loved the final product—but I was angry that there was a reason for me to make it. Life felt incredibly unfair at that moment. I was helpless to do anything that mattered, and I couldn’t even imagine how helpless my friend must’ve felt.

kayla4A week after I completed the bracelet, Kayla passed away. Losses like this are so, so difficult. With someone so young, you’re not just grieving the person you lost, but also the person you’ll never get to know – the woman she would’ve grown up to to be. So much potential … just … gone. Suddenly. There are no words. It’s not OK.

Kayla would’ve been 20 this month. Back when she was 13, she wrote and sang the song at the end of this post, which my friend remastered a few months ago. I invite you to take a listen and let a little of her life into your life. Spend a moment reflecting on how precious every moment on this earth is. It’s a good reminder to use your time wisely—connect with people you love, spend time doing and making things you love, and just be in the moment. Create moments that bring you joy, and make every moment count. Because we never know how many moments we’ll get.

If you’d like to make a donation, here are some organizations focusing on brain tumor research and advocacy:
National Brain Tumor Society
American Brain Tumor Association
Accelerate Brain Cancer Cure

In memory of Kayla Marie Ploughman (May 1995 – June 2014)

Kayla Ploughman

May you rest in peace, dear Kayla.

· · · · ·

I’ve had a few people ask about the statement necklace I’m wearing in my Finger & Hand Exercises for Crafters video:

Rebeca Mojica wearing chainmaille necklace - black, grey, silver

To be honest, this is one of my favorite necklaces that I designed last year … and I’m glad it’s finally spring so I can put away the scarves and show this baby off!

The aluminum necklace is made of several units of Gaelic Rose, which was a project that first appeared in Wirework magazine, Fall 2014.  Once you know how to weave Gaelic Rose, making the necklace is a snap. Below is a project diagram and a full supply list, including ring size conversions.  I used aluminum and anodized aluminum rings from Blue Buddha Boutique to create this piece.


Gaelic Rose aluminum chainmaille necklace

Supply List for Gaelic Rose necklace using aluminum and anodized aluminum jump rings:

8 Gaelic Roses:elegant chainmaille statement necklace black and white

  • H16 aluminum- qty 8 – 16 SWG 3/16″ (4.8 mm)
  • L16 anodized aluminum – qty 96 – 16 SWG 1/4″ (6.4 mm)
    • 32 black (for the innermost “swirl” – 4 rings on each rose)
    • 64 iridescent gunmetal
  • SS14 aluminum – qty 8 – 14 SWG 3/4″ (19.1 mm)
  • CC14 aluminum – qty 40 – 14 SWG 1/2″ (12.7 mm)
  • T16 anodized aluminum – qty 32 – 16 SWG 3/8″ (9.5 mm)
    • iridescent gunmetal
  • OPTIONAL – H16 anodized aluminum – qty 32 – 16 SWG 3/16″ (4.8 mm) – for the optional backing as explained in the designers tip in Wirework magazine
    • black (or iridescent gunmetal; these rings aren’t very visible from the front of the necklace)

Additional materials to join roses and complete the necklace:

  • CC14 aluminum – qty 2 – 14 SWG 1/2″ (12.7 mm)
  • F18* – qty 20 – 18 SWG 5/32″ (4.0 mm)
  • OPTIONAL* – H18 aluminum or stainless steel – qty 1-12 – 18 SWG 3/16″ (4. 8 mm) – for the optional extender chain
  • H16 anodized aluminum – qty 3 – 16 SWG 3/16″ (4.8 mm) – for the Möbius ball at the end of the necklace
  • lobster claw clasp
  • cable chain (you’ll likely need a minimum of 3″ (7.6 cm) to complete your chain

* You can use additional F18s (and/or the optional H18s) to create an adjustable extender chain like I did.

Follow the project instructions to make 8 Gaelic Roses. Join the roses with F18 rings and follow the diagram above to complete your necklace.

And then enjoy this statement piece!

chainmaille victorian necklace





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Pajaro Negro 02


April Montiel is the artist behind Pajaro Negro taxidermy jewelry and is a proud Chicagoan, born and raised.  She attended the University of Denver and has a degree in anthropology.  April prides herself on her Mayan culture and the “momma bear” instincts she acquired as a mother of a fiesty daughter.  April has a strong belief that all living or once living things should be treated respectfully.  She prides herself in taking what was once just thrown out like trash and gives it a hauntingly beautiful second life in each piece she produces.


Pajaro Negro 01

Her jewelry integrates pieces of bone, teeth, butterfly and beetle wings, moss, and flowers with antiqued metal decorative elements, resulting in lovely wearable and natural memento mori earrings, necklaces, cufflinks, and more.

Her Artist Statement notes:

“I have a strong belief that all living flora and fauna should be respected both in life and death.  By sourcing ethically acquired flora and fauna that was once considered trash and respectfully bringing it back to life through each piece I make.  I try and bring out the beauty and celebrate the life of what once was.”

Stop by and see these celebrations for yourself!


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At Blue Buddha’s Retail Store + Artisan Market, we reward you for shopping locally!  We’ve started the B3 Retail Loyalty program, so you earn points with every purchase in store, including on chainmaille supplies, kits, class purchases, and local-artisan goodies!  We have an upcoming Double Points day coming up on May 31st, but here are other ways to earn extra points:

  • 1 point for every $1 spent in store (does not include pick up orders paid in advance online)
  • 100 points for signing up
  • 25 points for posting a picture on social media: come in and show us the post you made tagging us (using @BlueBuddhaBoutique, #B3ArtisanMarket, #buddhamaille, etc) and we’ll give you 25 points!  (1 redemption per store visit; tag must be made within the previous 3 days)
  • Double points on 5th Sundays (in 2015 this is March 29th, May 31st, August 30th, November 29th)
  • Triple points made on purchases the week of your birthday
  • 50 points each year for your birthday too!
  • 25 points for signing up for the B3 newsletter
  • & More fun opportunities throughout the year!


  • 250 points:    $5.00 gift card
  • 500 points:    $10.00 gift card
  • 750 points:     $15.00 gift card
  • 1000 points:  $25.00 gift card ($5 bonus!)

$1 spent is equal to 1 point.  Points can be redeemed right away or you can choose to accrue them up to the maximum value (1000 points).  Loyalty program applies to in-store purchases only.  Points are not earned for online purchases, however gift cards earned can be used in-store or online.  Points must be used within one year.


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If you’re heading to Milwaukee in a few weeks for the Bead&Button Show, here’s your chance to pre-order anything you’d like from our website and pick it up at the show. Plus, we’ll even throw in a discount code for your order! Double-plus: you can shop Rebeca’s class kits before they are available for shipped orders.

Blue Buddha will NOT have a booth on the show floor! Rebeca will be at the Meet the Teachers reception Wednesday evening, but we won’t have our entire inventory there, nor will the discount code be valid. So, you see, it’s best to shop in advance!

Here’s what you need to know:

bead-button-bag1. Place pick-up orders by May 21 in order to guarantee delivery at the 2015 Bead&Button Show.

2. In honor of Rebeca’s 9th consecutive year teaching at the Bead&Button Show, use discount code 9YEARSBB* to save 9% off your entire pick-up order.  This percentage stacks on top of our regular Mix ‘n’ Match discount, making your prices a great value!
*Code valid on Bead&Button pick-up orders ONLY (we cannot honor the code on orders that require shipping).  Offer good through May 21, 2015.  Place your order soon!

3. You can purchase kits and instructions for Rebeca’s 2015 classes before anyone else has access.

4.  During checkout, select Bead&Button Pick Up as your “shipping” method, or you will be charged for shipping. In the notes section of checkout, indicate which of the following times you’ll pick up your order:

  • Wednesday June 3 – 3 pm (classroom 102A)
  • Wednesday June 3 – during Meet the Teachers (8 pm – 11 pm)
  • Thursday June 4 – 2 pm in the Gathering Area (Hyatt 2nd floor)
  • Saturday June 6 – noon (classroom 102A)

If none of the pickup times work for you, please contact BEFORE Tuesday, May 26 to arrange a time that works for you and Rebeca.

Place pickup orders by May 21 in order to guarantee delivery at the 2015 Bead&Button Show.

See you in a few weeks!


Rebeca at her first Meet the Teachers at the 2007 Bead&Button show!

Rebeca at her first Meet the Teachers at the 2007 Bead&Button show!




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